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梵高夜空主题
夜空主题连接罗纳河、咖啡馆和圣雷米:星光不是装饰,而是光、距离与精神强度的实验。
长尾搜索词
- 梵高夜空画作
- 梵高星星象征
- 梵高星夜象征意义
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夜空主题连接罗纳河、咖啡馆和圣雷米:星光不是装饰,而是光、距离与精神强度的实验。
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向日葵不是单幅名作,而是梵高在阿尔勒为南方画室发明的装饰语言。
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丝柏在圣雷米成为垂直的火焰,把树、夜空、死亡感和物理运动压成一个形体。
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自画像是连续实验:脸、颜色、病痛、职业身份和观看方式在同一张脸上反复改写。
Self-Portrait (Paris, dark) 1886 · F178v
Self-Portrait (Paris, blue background) 1887 · F356
Self-Portrait (Paris, pointillist background) 1887 · F365
Self-Portrait with Grey Felt Hat 1887 · F345
Self-Portrait with Grey Felt Hat 1887 · F344
Self-Portrait with Straw Hat 1887 · F525
Self-Portrait with Straw Hat 1887 · F465
Gauguin's Chair 1888 · F499
Self-Portrait (Arles, late summer) 1888 · F501
Self-Portrait (dedicated to Gauguin) 1888 · F526
Self-Portrait (dedicated to Gauguin) 1888 · F476
Self-Portrait at the Easel 1888 · F380
Vincent's Chair with His Pipe 1888 · F498
Self-Portrait (Saint-Rémy, blue swirls) 1889 · F528
Self-Portrait (Saint-Rémy, palette) 1889 · F525a
Self-Portrait (Saint-Rémy) 1889 · F627
Self-Portrait with Bandaged Ear 1889 · F527
Self-Portrait with Bandaged Ear and Pipe 1889 · F529 themes
麦田贯穿播种、劳作、奥维尔和最后的雨景,是时间、生命循环和告别感最集中的场所。
Sower (after Millet) 1881 · F830
Harvest at La Crau 1888 · F411
The Sower 1888 · F422
The Sower 1888 · F574
The Sower (large) 1888 · F450
Reaper with Sickle (after Millet) 1889 · F687
Sower (after Millet) 1889 · F690
The green wheatfield behind the asylum 1889 · F718 The Reaper (after Millet) 1889 · F684
Wheat Field with Cypresses 1889 · F717
Wheat Field with Reaper 1889 · F719
Blossoming Chestnut Trees 1890 · F752
Chestnut trees in flower: pink and white blossoms 1890 · F751
Country Road in Provence by Night 1890 · F683
Farmhouse 1890 · F806
Garden at Auvers 1890 · F814
Landscape at Auvers in the Rain 1890 · F750
Marguerite Gachet at the Piano 1890 · F772
Pink Roses 1890 · F595
Plain near Auvers 1890 · F762
Portrait of Adeline Ravoux 1890 · F754
Portrait of Dr. Gachet (first version) 1890 · F753
Rain, Auvers 1890 · F811
Roses and Anemones 1890 · F764 themes
鸢尾花把圣雷米时期的花卉、病院花园和色彩强度连接起来。