techniques

梵高厚涂技法

厚涂技法页面连接向日葵、星夜、丝柏、鸢尾和晚期麦田中可见的颜料物质感。

1886 - 1890 · 17件作品

梵高厚涂技法

长尾搜索词

  • 厚涂技法是什么意思
  • 梵高厚涂技法
  • 梵高厚颜料技法

常见问题

梵高画作中的厚涂是什么？

厚涂是把颜料堆到足以让笔触方向、起伏和表面质感成为图像可见部分的画法。

梵高每幅画都使用厚涂吗？

不是。颜料厚度会随时期和画面局部改变；厚涂只是他让颜料承载视觉能量的多种方式之一。

厚涂为什么对梵高重要？

它让颜料既是物质也是描述，使光线、运动和色彩在画面表面持续活跃。

代表作品

Still life: sunflowers Still life: sunflowers 1887 · F375 Harvest at La Crau Harvest at La Crau 1888 · F411 Starry Night over the Rhône Starry Night over the Rhône 1888 · F474 Sunflowers (fifteen) Sunflowers (fifteen) 1888 · F454 Sunflowers (fourteen) Sunflowers (fourteen) 1888 · F456 Cypresses Cypresses 1889 · F613 Cypresses with Two Women Cypresses with Two Women 1889 · F620 Irises Irises 1889 · F608 Sunflowers (fifteen, repetition) Sunflowers (fifteen, repetition) 1889 · F458 The green wheatfield behind the asylum The green wheatfield behind the asylum 1889 · F718 The Starry Night The Starry Night 1889 · F612 Wheat Field with Cypresses Wheat Field with Cypresses 1889 · F717 Wheat Field with Reaper Wheat Field with Reaper 1889 · F719 Irises (in vase) Irises (in vase) 1890 · F678 Irises (pink background) Irises (pink background) 1890 · F680 Wheat Field with Crows Wheat Field with Crows 1890 · F779 Wheatfield under Thunderclouds Wheatfield under Thunderclouds 1890 · F778

叙事节点

1886-1887 巴黎花卉实验 1888-08 向日葵装饰计划 1888-09 罗纳河星夜 1889-05 鸢尾花 1889-06 丝柏 1889-06 星夜 1890-05 奥维尔的七十天 1888-1890 麦田系列

techniques

梵高油画与画布

油画页面聚合梵高主要油画作品，说明媒介、画布、颜料和创作地点如何共同塑造图像。

1880 - 1890 · 128件作品

梵高油画与画布

长尾搜索词

  • 布面油画是什么意思
  • 梵高布面油画
  • 梵高绘画媒介

常见问题

布面油画是什么意思？

它指以油为黏合剂的颜料被画在经过底层处理的编织画布上。

梵高为什么使用布面油画？

油画让他能在耐久支撑物上使用强烈色彩、层叠笔触和广泛的颜料厚度变化。

梵高所有作品都是布面油画吗？

不是。梵高还创作过素描、水彩、版画，以及画在纸、板等其他支撑物上的作品。

代表作品

Miners in the Snow at Dawn Miners in the Snow at Dawn 1880 · F831 Sower (after Millet) Sower (after Millet) 1881 · F830 Sorrow Sorrow 1882 · F929 Worn Out Worn Out 1882 · F863 The Old Tower at Nuenen The Old Tower at Nuenen 1884 · F88 Weaver (interior with three windows) Weaver (interior with three windows) 1884 · F30 Weaver Facing Left Weaver Facing Left 1884 · F24 Weaver Facing Right Weaver Facing Right 1884 · F37 Weaver Near an Open Window Weaver Near an Open Window 1884 · F26 Head of a Peasant Woman with White Cap Head of a Peasant Woman with White Cap 1885 · F160 Still Life with Bible Still Life with Bible 1885 · F117 The Potato Eaters The Potato Eaters 1885 · F82 The Potato Eaters (study) The Potato Eaters (study) 1885 · F78 Glass with Yellow Roses Glass with Yellow Roses 1886 · F218 Self-Portrait (Paris, dark) Self-Portrait (Paris, dark) 1886 · F178v Skull with Burning Cigarette Skull with Burning Cigarette 1886 · F212 Still life with fritillaries Still life with fritillaries 1886 · F213 Still Life with Meadow Flowers and Roses Still Life with Meadow Flowers and Roses 1886 · F243 Vase of Flowers Vase of Flowers 1886 · F286 Asnières landscape series Asnières landscape series 1887 · F317-F318 Bridge in the Rain (after Hiroshige) Bridge in the Rain (after Hiroshige) 1887 · F372 Flowering Plum Tree (after Hiroshige) Flowering Plum Tree (after Hiroshige) 1887 · F371 Oiran (after Kesai Eisen) Oiran (after Kesai Eisen) 1887 · F373 Pere Tanguy Pere Tanguy 1887 · F363

叙事节点

1880 雪中黎明的矿工 1882 精疲力竭 1882-05 海牙与 Sien 1884 织工系列 1885-04 吃土豆的人 1885-10 圣经静物 1885-11 安特卫普学院 1886-1887 巴黎花卉实验 1887 唐吉老爹 1887 榅桲与柠檬 1887 从提奥公寓望出去 1887-06 阿涅尔风景

techniques

梵高笔触分析

笔触页面把早期素描线条、阿尔勒方向性笔触、圣雷米旋涡和奥维尔断裂笔触连成一条路径。

1880 - 1890 · 128件作品

梵高笔触分析

长尾搜索词

  • 梵高笔触分析
  • 梵高笔法
  • 梵高绘画技法

常见问题

梵高笔触最有辨识度的地方是什么？

他的笔触往往有清晰方向，因此既能描述形体，也能传达运动、光线或压力。

梵高一直用旋涡式笔触作画吗？

不是。他的痕迹从早期素描线条、巴黎实验、阿尔勒的方向性，到圣雷米旋涡和晚期断裂笔触不断变化。

笔触怎样帮助分析梵高作品？

追随笔触方向可以看出视线如何被引导，也能看到画面不同区域被赋予的不同能量。

代表作品

Miners in the Snow at Dawn Miners in the Snow at Dawn 1880 · F831 Sower (after Millet) Sower (after Millet) 1881 · F830 Sorrow Sorrow 1882 · F929 Worn Out Worn Out 1882 · F863 The Old Tower at Nuenen The Old Tower at Nuenen 1884 · F88 Weaver (interior with three windows) Weaver (interior with three windows) 1884 · F30 Weaver Facing Left Weaver Facing Left 1884 · F24 Weaver Facing Right Weaver Facing Right 1884 · F37 Weaver Near an Open Window Weaver Near an Open Window 1884 · F26 Head of a Peasant Woman with White Cap Head of a Peasant Woman with White Cap 1885 · F160 Still Life with Bible Still Life with Bible 1885 · F117 The Potato Eaters The Potato Eaters 1885 · F82 The Potato Eaters (study) The Potato Eaters (study) 1885 · F78 Glass with Yellow Roses Glass with Yellow Roses 1886 · F218 Self-Portrait (Paris, dark) Self-Portrait (Paris, dark) 1886 · F178v Skull with Burning Cigarette Skull with Burning Cigarette 1886 · F212 Still life with fritillaries Still life with fritillaries 1886 · F213 Still Life with Meadow Flowers and Roses Still Life with Meadow Flowers and Roses 1886 · F243 Vase of Flowers Vase of Flowers 1886 · F286 Asnières landscape series Asnières landscape series 1887 · F317-F318 Bridge in the Rain (after Hiroshige) Bridge in the Rain (after Hiroshige) 1887 · F372 Flowering Plum Tree (after Hiroshige) Flowering Plum Tree (after Hiroshige) 1887 · F371 Oiran (after Kesai Eisen) Oiran (after Kesai Eisen) 1887 · F373 Pere Tanguy Pere Tanguy 1887 · F363

叙事节点

1880 雪中黎明的矿工 1882 精疲力竭 1882-05 海牙与 Sien 1884 织工系列 1885-04 吃土豆的人 1885-10 圣经静物 1885-11 安特卫普学院 1886-1887 巴黎花卉实验 1887 唐吉老爹 1887 榅桲与柠檬 1887 从提奥公寓望出去 1887-06 阿涅尔风景

techniques

梵高互补色与色彩

色彩对比页面聚合巴黎、阿尔勒和夜景中的互补色、黄色、蓝色、红绿关系。

1887 - 1888 · 21件作品

梵高互补色与色彩

长尾搜索词

  • 梵高色彩理论
  • 梵高互补色
  • 梵高调色板分析

创作语境

色彩

代表作品

Self-Portrait (Paris, dark) Self-Portrait (Paris, dark) 1886 · F178v Pere Tanguy Pere Tanguy 1887 · F363 Self-Portrait (Paris, blue background) Self-Portrait (Paris, blue background) 1887 · F356 Self-Portrait (Paris, pointillist background) Self-Portrait (Paris, pointillist background) 1887 · F365 Self-Portrait with Grey Felt Hat Self-Portrait with Grey Felt Hat 1887 · F345 Self-Portrait with Grey Felt Hat Self-Portrait with Grey Felt Hat 1887 · F344 Self-Portrait with Straw Hat Self-Portrait with Straw Hat 1887 · F525 Self-Portrait with Straw Hat Self-Portrait with Straw Hat 1887 · F465 Café Terrace at Night Café Terrace at Night 1888 · F467 Self-Portrait (Arles, late summer) Self-Portrait (Arles, late summer) 1888 · F501 Self-Portrait (dedicated to Gauguin) Self-Portrait (dedicated to Gauguin) 1888 · F526 Self-Portrait (dedicated to Gauguin) Self-Portrait (dedicated to Gauguin) 1888 · F476 Self-Portrait at the Easel Self-Portrait at the Easel 1888 · F380 Starry Night over the Rhône Starry Night over the Rhône 1888 · F474 Sunflowers (fifteen) Sunflowers (fifteen) 1888 · F454 Sunflowers (fourteen) Sunflowers (fourteen) 1888 · F456 The Night Café The Night Café 1888 · F463 Self-Portrait (Saint-Rémy, blue swirls) Self-Portrait (Saint-Rémy, blue swirls) 1889 · F528 Self-Portrait (Saint-Rémy, palette) Self-Portrait (Saint-Rémy, palette) 1889 · F525a Self-Portrait (Saint-Rémy) Self-Portrait (Saint-Rémy) 1889 · F627 Sunflowers (fifteen, repetition) Sunflowers (fifteen, repetition) 1889 · F458

叙事节点

1887 唐吉老爹 1886-1889 自画像家族 1888-08 向日葵装饰计划 1888-09 罗纳河星夜 1888-09 夜咖啡馆

techniques

梵高芦苇笔线条

芦苇笔页面聚合梵高在线条、书写性和阿尔勒图像速度上的实验。

1888 - 1888 · 9件作品

梵高芦苇笔线条

长尾搜索词

  • 梵高芦苇笔画
  • 梵高线条技法
  • 梵高素描技法

代表作品

Sower (after Millet) Sower (after Millet) 1881 · F830 Blossoming Pear Tree Blossoming Pear Tree 1888 · F553 Orchard in Blossom (Plum Trees) Orchard in Blossom (Plum Trees) 1888 · F405 The Pink Orchard The Pink Orchard 1888 · F403 The Pink Peach Tree The Pink Peach Tree 1888 · F394 The Sower The Sower 1888 · F422 The Sower The Sower 1888 · F574 The Sower (large) The Sower (large) 1888 · F450 Sower (after Millet) Sower (after Millet) 1889 · F690

叙事节点

1888-03 果园花开 1881-1890 播种者母题