1884-03 · Nuenen · Knot of Motif

The Eliot Moment in Nuenen

"After reading Adam Bede I dared to paint the weavers and peasants."

  1. Vincent van Gogh, Weaver Facing Left, 1884, Nuenen
    F1133 Weaver Facing Left 1884
  2. Vincent van Gogh, Weaver (interior with three windows), 1884, Nuenen
    F1239 Weaver (interior with three windows) 1884

Painting

The Weavers series — four oil paintings, plus drawings and watercolours, more than twenty pieces in all. The loom is a black oak skeleton, vast, intricate, filling the room. The weaver sits in the middle, smaller than the machine. These paintings and the George Eliot he was reading were the same world: the dignity of labourers, without beautification, without pity.

Letter

March 1884, Nuenen. He wrote: "After reading Adam Bede I dared to paint the weavers and peasants." Another letter: "George Eliot sees the worker as he really is." He placed Eliot's method and his own painting method side by side — Eliot writes workers, he paints workers; Eliot does not beautify, neither does he.

Place

Nuenen, a Brabant village with home weaving workshops. Beside his father's parsonage stood the weavers' cottages — one room, one loom, one family. He sat in the corner for months; when his hands stiffened he would stand and stamp his feet. The loom creaked all day in the same rhythm.

Events

  1. The Ferocious Reader · Letter 432

    Reading Zola's Germinal and George Eliot's Adam Bede. Two novels of working-class life on the desk at the same time

  2. The Ferocious Reader · Letter 432

    'After reading Adam Bede I dared to paint the weavers and peasants.' The most direct self-statement of the ferocious reader talent

  3. Synaesthetic Precision · Letter 435

    Described the loom: 'An old oak thing that has turned brown, with all kinds of scratches and stains in the wood.'

  4. The Ferocious Reader · Letter 433

    'George Eliot sees the worker as he really is.' Placing Eliot's method and his own painting method side by side

From the Letters

Na het lezen van Adam Bede durfde ik de wevers en boeren te schilderen.

After reading Adam Bede I dared to paint the weavers and peasants.

Letter 432
George Eliot ziet de arbeider zooals hij werkelijk is.

George Eliot sees the worker as he really is.

Letter 433
Eliot beschrijft het leven van de wevers — en ik teken het. Het is dezelfde zaak.

Eliot describes the life of the weavers — and I draw it. It is the same thing.

Letter 435
Een boek als Felix Holt geeft mij moed om door te gaan met de boerenfiguren.

A book like Felix Holt gives me courage to continue with the peasant figures.

Letter 436
Wat Eliot doet met woorden — dat gevoel van het werkelijke — dat wil ik met kleur doen.

What Eliot does with words — that feeling of the real — that is what I want to do with colour.

Letter 438
Ik lees 's avonds en overdag schilder ik — het een voedt het ander.

I read in the evening and paint during the day — the one feeds the other.

Letter 440

Letter Sources

Van Gogh letter records referenced on this page, linked to the Van Gogh Letters Project. vangoghletters.org