Secondary navigation axis · parallel to the breath line

How He Became Himself

A Technical Evolution Map · 1880-1890 · five curves out of sync

This axis answers not “who was he” but “how did a man who could not paint become the man who painted Wheatfield with Crows.”

It rests on material facts on the canvas: pigment names, brushstroke direction, impasto thickness, canvas format and production rate.

1888 The Bursting Brushstroke Arles Starry Night over the Rhône F474 / JH1592 · 1888.09 Open this period
Starry Night over the Rhône
The light of Provence. In Arles, complementary colour became structure: yellow-violet, orange-blue, red-green.

Drag the cursor · click a legend item to follow one curve · choose a period below

Sorrow Period I · 1880.08 - 1883.12 Drawing as Salvation Charcoal and pencil. Oil paint has not yet arrived. The Potato Eaters Period II · 1883.12 - 1886.02 Obsessive Darkness Bitumen, raw umber, black. Then Rubens's vermilion enters. Self-Portrait with Felt Hat Period III · 1886.03 - 1888.02 The Practice of Colour The palette cracked open by Impressionism and Pointillism. Starry Night over the Rhône Period IV · 1888.02 - 1889.05 The Bursting Brushstroke Complementary colour contrast reaches its peak. A dream exploded. The Starry Night Period V · 1889.05 - 1890.05 The Spinning World Body confined. Brushstroke begins to rotate. Portrait of Dr. Gachet Period VI · 1890.05 - 1890.07 Seventy Days Burning 80 paintings in 70 days. The double-square format appears.