1888-09 · Arles · Knot of Motif

The Tolstoy Moment in Arles

"Tolstoy seeks moral simplicity, and Japanese art seeks visual simplicity — it is the same thing."

  1. Vincent van Gogh, The Sower, 1888, Arles
    F574 The Sower 1888

Events

  1. The Ferocious Reader · Letter 682

    Began reading Rod's Les Réformateurs — a French overview of Tolstoy's thought

  2. The Translator · Letter 685

    'Tolstoy seeks moral simplicity, and Japanese art seeks visual simplicity — it is the same thing.'

  3. The Translator · Letter 689

    Completed The Sower — subject from Millet, composition from Japanese prints, philosophical core from Tolstoy. Three cultures fused

  4. The Ferocious Reader · Letter 691

    The keyword 'read' appears in 16 letters — the highest reading density of the Arles period

From the Letters

Je lis Les Réformateurs sur Tolstoï — c'est un livre étonnant.

I am reading Les Réformateurs on Tolstoy — it is an astonishing book.

Letter 682
Tolstoï cherche la simplicité morale, et l'art japonais cherche la simplicité visuelle — c'est la même chose.

Tolstoy seeks moral simplicity, and Japanese art seeks visual simplicity — it is the same thing.

Letter 685
Tolstoï dit: simplifiez votre vie. Et moi je dis: simplifiez votre palette.

Tolstoy says: simplify your life. And I say: simplify your palette.

Letter 683
Un livre peut changer la manière dont on peint — Tolstoï m'a fait comprendre cela.

A book can change the way one paints — Tolstoy made me understand that.

Letter 677
La morale de Tolstoï et l'esthétique japonaise — deux chemins vers la même vérité.

Tolstoy's morality and Japanese aesthetics — two paths toward the same truth.

Letter 689
Je lis et je peins — et les deux se nourrissent. Tolstoï nourrit le semeur.

I read and I paint — and the two nourish each other. Tolstoy nourishes the sower.

Letter 690

Letter Sources

Van Gogh letter records referenced on this page, linked to the Van Gogh Letters Project. vangoghletters.org

Technique Evidence

This work appears as evidence in this site’s technique-evolution axis.

  1. The Shattering Stroke 1888.02 – 1889.05 Open period F422 / JH1470 The Sower Brushstroke Representative of directional brushwork