1886-1887 · 4 Gogh.art nodes
Van Gogh in Paris: Colour, Prints and Modern Painting
From 1886 to 1888 Van Gogh lived with his brother Theo in Paris. He encountered Neo-Impressionist painting and became acquainted with Toulouse-Lautrec, Bernard and Gauguin; flowers, portraits, prints and city views became fields for colour and brushwork experiments.
- The Colour Experimenter
- The Translator
- Synaesthetic Precision
- The Ferocious Reader
Related Entries
Long-tail intents
- Van Gogh Paris paintings
- Van Gogh Paris self portraits
- Van Gogh and Neo-Impressionism in Paris
Reading this place
Modernity was not a replacement
Paris did not erase the experience of Nuenen. It changed the relations among older materials: colour became brighter, compositions opened, and Japanese prints and Neo-Impressionist methods entered the work, while earlier problems of figure, labour and composition remained.
Flowers and self-portraits
Paris flower still lifes and repeated self-portraits are not marginal exercises. They repeatedly test colour juxtaposition, different grounds and brush directions, opening a colour system later tested in Arles yellows and night scenes.
Key artwork paths
Common questions
When did Van Gogh live in Paris?
He lived with his brother Theo in Paris from 1886 to 1888.
How did Paris change Van Gogh's painting?
It brought Neo-Impressionism, prints, brighter colour and new painterly companions into his working methods.
Which subjects matter in the Paris period?
Flower still lifes, self-portraits, city and suburban views, and ways of seeing from Japanese prints are all important.
Sources
The Paris Flower Studies
In Paris he used flowers to learn colour. The letters became sparse during those two years, but the paintings left a record in place of the silence.
- The Colour Experimenter
- The Translator
Pere Tanguy
Those who helped the painters usually vanish, afterward, into the backgrounds of the pictures.
- The Translator
- The Colour Experimenter
Still Life with Quinces and Lemons
For him colour was not a feeling but a working hypothesis. He needed a place to test it.
- The Colour Experimenter
- Synaesthetic Precision
View from Theo's Apartment
For two years they lived together. The letters became fewer, but the colours outside the window left a little edge evidence of that shared life.
- The Colour Experimenter
- Synaesthetic Precision