1888 · 10 Gogh.art nodes
Arles
Arles is the site’s densest geographical burst: night scenes, sunflowers, the Yellow House, the Roulin family and the life with Gauguin press against one another here.
- The Translator
- The Colour Experimenter
- Synaesthetic Precision
- The Copyist
- The Ferocious Reader
Orchards in Bloom
At the best of his time in Arles he felt it himself — but he did not know what to call it.
- The Translator
- The Colour Experimenter
The Sunflower Decoration
He painted the welcome ahead of time, and then waited for it to be seen.
- The Colour Experimenter
- The Ferocious Reader
The Roulin Family
He was not painting himself an imagined family — he was painting, for the few who really stayed, a portrait that might make a person stay.
- The Colour Experimenter
- The Copyist
Starry Night over the Rhône
At night, by gaslight, before the night sky, he painted the night. That alone should not be left out.
- The Colour Experimenter
- The Ferocious Reader
The Yellow House
The imagination he spent on the Yellow House lasted far longer than the house itself.
- The Colour Experimenter
- Synaesthetic Precision
The Night Café
"It is one of the ugliest pictures I have done." Those are his own words, from the letter.
- Synaesthetic Precision
- The Colour Experimenter
Gauguin Arrives
Two painters look at the same scene and paint two completely different worlds. This matters more than what came after — but what came after covered it over.
- The Colour Experimenter
- The Ferocious Reader
The Bedroom
He painted the same room three times: once living inside it, twice already gone.
- The Colour Experimenter
- Synaesthetic Precision
La Berceuse
He kept designing what others would feel on seeing his pictures — only the "others" grew harder and harder to have present.
- The Colour Experimenter
- The Copyist
Gauguin Leaves
After that night, Arles was, in a sense, over. Soon after leaving the hospital he picked up the brush again.
- Synaesthetic Precision
- The Colour Experimenter